Visit to the Bloomberg New Contemporaries 2022 Exhibition, Ferens Art Gallery, Hull
Andre Williams, Room for Doubt, 2021, installation Innovative new work |
Room For Doubt is an installation developed from Williams’s drawings of fantastical rooms. His playful use of unexpected materials draws
the viewer into his world. Masks and mirrors are recurring motifs within the
room. A pair of bespoke Flamingo and Woodpecker wallpapers flanks the room, intensifies the space and plays with perspective. I felt that the room had a "retro" feel and was very three dimensional.
Meitao Qu
Qu’s practice is concerned with how forms of visualisation operate as ‘props’ to stimulate imaginations. Currently, her research examines the visual economy of the cityscape as a symbol of progress. Using miniatures and ready-mades, her work considers the artifice of the built environment to explore the conditions of what is lost and gained in the processes of urbanisation. She contemplates the interplay between ideologies and realities. The installation shows a miniature replica of the Temple of Heaven constructed with building blocks. The sculpture is displayed on a rock-like formation decorated with other architectural models and artificial greenery.
Abi Ola
Ola specialises in oil paint, fabric collage,
installation, and photography. Her work focuses on family portraiture which allow the audience to place
their own loved ones within the portraits. The
combination of tribal and modern-day patterns challenge assumptions
about what ‘primitive’ art is, and whether there are many differences to the
symbols used today in text messages and social media.
Divya Sharma
Sharma is a multidisciplinary artist and textile practitioner whose practice reflects her lived experience. At its heart is
the idea of hybridity and the naive insistence that inter, and
intra-nationalities can do more, they can make futures in which we are not
opposites but "extensions, additions, alloys, alchemical integrations, and
disjointed unifications". As an
immigrant within India and outside, her work draws upon the entanglements that
a hybrid nation(ality) entail.
Conclusions
The New Contemporaries show was very different to the works by Winslow Homer at the National Gallery in London (see previous post). The Homer exhibition consisted solely of paintings which were displayed on gallery walls in a traditional, sequential setting. The subject matter of the Ferens exhibition was diverse, ranging from installations to tapestry. The works represented current issues which the artists were concerned with, and the curation was imaginative to reflect the different approaches. The Ferens approach encouraged the viewer to participate and interact with the ideas put forward by the individual artists. I could walk in and around the rooms and consider the works from different angles, experience a 3D effect and appreciate the perspective of, for example, Andre Williams's "Room".
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